On the main Berghain floor, Youth Code deliver EBM where hardcore, metal, and industrial collide, with their new EP Yours, With Malice sharpening synths, drums, and shadows. King Yosef shapes industrialised hardcore with heavy pressure, sharp textures, dark contrasts, and distortion breaking open the melodies.
Pain Magazine joins Birds in Row, Maelstrom, and Louisahhh, with their album Violent God driving harsh guitars, circuit pulses, and raw vocals against internal / external tyranny.
ABOPF moves through bass intensity, ambient drift, and fractured IDM, shifting freely across styles.
Finlay Shakespeare uses modular electronics, brute rhythms, and urgent vocals, with pop structure pulsing behind the noise. White Prata blends hardcore, gabber, acid dub, and hard baile into high-energy forms where techno breaks down and breakcore shatters.
Marylou plays sets moving through traditional music, jazz, noise, dub, footwork, jungle, and breakcore, finding moments of dreamlike intensity. Fukinsei builds DJ sets from footwork, jungle, hardcore, rave, and dub in gritty, broken narratives, extending her experimental work through the Fukstep project and Innesta.
In Panorama Bar, Guedra Guedra grounds his music in Afrofuturist and decolonial ideas, mixing African field recordings, percussion, ancient instruments, and electronic pulses. Vv Pete raps with shifting energies over Brodinski’s gqom, drill, and baile funk productions, moving between celebration and harder tones.
Valesuchi shapes techno with experimental electronics and percussive traditions from Latin America, presenting her new album and live set.
In Säule, DJ Love brings his Philippines-born genre budots to Berlin with heavy bass, synthetic beats, horns, sirens, and whistles at 140 BPM, returning after last year’s cancelled appearance.
More acts will be announced soon for all three floors.
Reduced event tickets are available in limited quantities at most venues for people who are unemployed, receiving social welfare, for holders of a severely disabled persons card, and for recipients under the asylum seekers benefits act. Students do not de facto qualify for this discount, which is generally aimed at giving access to cultural events and other services to people receiving social assistance. Door staff might request the presentation of relevant identification with your presale ticket when entering the venue.